![]() Yet he’s also capable of reflecting on the crushing death of his young son: “All those people I destroyed, all those lives. Seen through encounters with his comrades-in-arms, K is obviously capable of the acts of terror he committed during the war. “I don’t think we have all the words in a single vocabulary to explain what we are or why we are,” writes Fuller, who knows she will be capturing only one facet of K-and not a pretty one. K’s born-again Christianity temporarily keeps the specters at bay, but they will slowly be released as he and the author return to the scenes of his wartime experiences. ![]() She finds him both “terrifying and unattractive”-he radiates a sense of violence and unpredictability-but also fascinating for the ghosts he harbors. ![]() Visiting her parents in Zambia, Fuller meets K, a white African banana farmer and a veteran of the Rhodesian War. ![]() The author of Don't Let's Go to the Dogs Tonight (2002) takes a demon-haunted tour of Zimbabwe and Mozambique in the company of an ex-soldier who fought with the Rhodesian Light Infantry. ![]()
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